Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Sunday, June 13, 2021

We Interrupt this Unintentional Hiatus for a Few Brief Poems

April/May wrap-ups are coming--I promise--but while I'm procrastinating, please join me in reading a few short poems that came about thanks to my most recent Camp NaNoWriMo adventure. My poem-a-day April challenge has turned into an annual event, which is nice, because I end each year with at least thirty new poems to polish!

The ones below definitely need a little more polishing, but they're some of my favorites so far.








Which one is your favorite? Did you participate in Camp NaNoWriMo this year?

Thursday, December 10, 2020

I Published My Second Book of Poetry!

 


Ghost light shine, ghost light flicker . . .

An open journal of mixed and complicated emotions, Ghost Light is a reminder that even in the darkest of times, there is art. Written entirely during quarantine in 2020, Kate I. Foley’s second collection of poetry is angry, joyful, wistful, and whimsical. The ghost light burns to keep the demons at bay, to watch over the artists and dreamers and remind us all that we will rebuild and return and fill the air with music once again.



My first book of poetry, Instructions For Flight, was published nearly four years ago and the process was so confusing and exhilarating, I knew I wanted to do it all over again in the future, if only to learn from my experience and do it better the second time around. Quarantine in the wintertime seemed like perfect timing to polish up some poetry and publish another collection. This was a very spur-of-the-moment decision (my family didn't even know I was doing this!) and I spent every free second perfecting the details.


Since Instructions For Flight, I learned how to do several things better:

-Create a prettier, more professional-looking book cover

-Format the interior text to read smoother

-Write more polished poems LOL

-Write a more intriguing book description

-Design 3D mockups like the picture above

-Have all of the nitty-gritty publication details ready to go so I'm not scrambling to write anything at the last minute

-Etc., etc., etc.


Where can I buy Ghost Light and how much is it?

You can buy your ebook copy of Ghost Light by clicking right here, and it's only 99 cents!


What can I do to support you and get the word out about Ghost Light?

-Buy a copy

-Review the book on Goodreads, Amazon, and/or your blog

-Buy copies for friends

-Tell your friends and family about it

-Post about it on social media; I love bookstagrams!

-Contact me if you want to work out an interview, guest blog post, promotional post, etc.

-Let me know what your favorite poem from the collection is; I love hearing from readers!

-Contact me if you want to write a blurb for the collection I can use on graphics and advertising posts; I'll be sure to promote your blog/bookstagram in the process!


Can I read one of the poems for free as a sneak peek?

Absolutely. One of my favorite poems from the collection is called "Captions" and it was written back in the spring as a found poetry exercise for a creative writing class at college. It is composed entirely of captions from photos.

This was probably the most complicated poem for me to write and edit because I had to trim and rearrange the order of the captions just right to create poetry that meant something and was enjoyable to read, but I'm really pleased with how it turned out.




Captions

After testing positive for coronavirus,

when you loved someone, you couldn't hold back.



Carl Goldman in quarantine at a hospital in Nebraska,

body bags and blue bags, piled inside a portable refrigerator storage unit outside the hospital,

I feel the need to say goodbye.



I will never forget the memories made:



Test tubes at Quest Diagnostics,

the nearly empty streets of Camden Town,

the total number of confirmed coronavirus deaths in Britain,

China,

Russia.



An artist’s illustration of a brilliant supernova, the explosive death of a star,

expected to extend its lockdown measures,

weathered multiple crises.



Look back over all the things experienced:



Authorities say it is too early to know.


Purchase your copy of Ghost Light for just 99 cents today! Click HERE.

Monday, September 14, 2020

What's Kate Doing This Semester?

With all of the COVID-19 chaos, I decided it was best for me and my health (both mental and physical) to take a leave of absence this semester. Luckily, with all of my dual enrollment credits, I won't fall behind and I should be good to return (most likely remotely) to school in the spring. But I still wanted to make sure I spent this time at home doing something meaningful. I'm taking time to relax and see friends (on video chat and at a distance outside) and hang out with my family, but I didn't want to look back on these months and feel like I'd let life pass me by.

So what am I doing? A little of this, a little of that, and a lot of writing.

Writing a musical - "Firstborn"

I'm finally writing that musical I've been talking about writing for forever! I still have little confidence in my abilities as a lyricist and I have zero experience when it comes to composing, but I'm working on the book of a musical called "Firstborn."

It's a comedy (think "Wicked" meets "Something Rotten!") about a woman who promises two witches her firstborn child separately, so when the baby is born, both witches show up expecting to claim their prize. Instead, they're forced into joint custody, which is difficult when one witch is Wicked and the other is GoodTM.

It features an enemies-to-lovers F/F romance, a spunky and naive heroine who is a mixture of Ariel/Fiona if Ariel and Fiona had been raised by witches, and a musician with the personality of Orpheus from "Hadestown" if Orpheus were a horrible songwriter.

I'm having a lot of fun figuring out these characters' unique personalities and voices. I love writing dialogue, so scriptwriting is always a blast. I write so much faster when dialogue is the main focus, so I'm breezing through these pages no problem. The goal is to have the rough draft done by Christmas, which I think I'll be able to manage without any issue.

Writing a YA contemporary romance - (still needs a title)

My Josie Jones book (I'll figure out an official title eventually) is about a bisexual girl named Josie Jones who finds herself crushing hard on two different girls in her town. But there's a problem: Josie isn't fully out yet. Rather than going through the awkward coming-out process over and over again to friends, family, and classmates, Josie decides to throw a big summer party at which she'll come out to everyone all at once. It's going to be quite the show and turn coming out into a celebration rather than an obligation. Josie just has to navigate the complications of a love-triangle romance and teenage friendships and other shenanigans and misunderstandings first.

While my plot needs some work (it's so much easier to have my characters sit around and crack jokes rather than to have a conflict-filled scene), I love the vibe I'm building: it's summer-y and fun and full of queer girls and baked goods. Add a semi-dysfunctional but all-around really supportive family and you've got the feeling of my book. I made some collages featuring pictures from my Pinterest board to show you what I mean.

My mood board

My main cast of characters (starting upper left and going clockwise): Josie Jones, Hannah Ridley, April Harrison, Cassidy Morgan, and Drew Goldman

Querying Once Upon a Stage

Remember my F/F YA contemporary about theatre girls? It was previously titled All the World's Afraid, but since that title didn't make any sense after rewrites, my beta readers helped me land on a new title.

The querying process has actually been going really well! I've had lots of interest, including multiple requests for full manuscripts (no true bites yet after that, but one agent is reading the manuscript now!). I'm really hoping someone picks it up, because out of all the books I've written (and there have been many), this one really has my heart.


Eleanor's aesthetic

Sonya's aesthetic

Journaling

With college and then the pandemic hitting, I got super behind on journaling. I wanted to make sure I didn't forget to write about anything later though, so I'd take notes on what I did each day in my phone. I now have a HUGE list of notes in my phone, so I'm slowly working through the days and catching up on the days I missed journaling about.

NaNoWriMo - Mamma Mia: Here We Go to Hell

I can't tell if I love or hate the title of this book yet even though it makes me snicker every time I think about the pun I've created, but that's the title we're sticking with for now. I can't stand "Mamma Mia," but I love the concept for this book:

"Mamma Mia" meets "Supernatural": After learning that her mom sold her soul to one of three demon lords, seventeen-year-old Sophie Lewis and her friends venture into Hell to find out who has it and how to get it back.

It's going to be so much fun to create the world of Hell and all of the demons in it. I already love my main character and her friends. I'm very excited to get started on this project in November.

My (very rough) book cover

Reading Jane Eyre

This is a classic I've meant to read for years, so what better time to finally read it than during a global pandemic? It's slow going because I have to have an incredible amount of focus to comprehend the sentences I'm reading, but I'm liking it so far. I don't know a ton about the plot, so I'm curious in what direction this is heading.

Continuing with vocal lessons

My vocal teacher is continuing lessons with some of her students (like me) virtually, so I get to keep up with my vocal work. My range is slowly stretching, which I'm really pleased about, because now I can comfortably sing more mezzo-soprano songs rather than struggling through them. There's a ton more work to be done, but it's all about practice and commitment.

Learning editing and proofreading

I took a certification course on proofreading a couple months ago and now I'm learning about other kinds of editing through YouTube so I can branch out with my writing skills. I've even started offering my freelance services to make some extra cash while I'm stuck at home, and not only is it fun, but it's also helpful to those who need the second set of eyes. I'm having a great time with it!

Learning to tap

Tap has always been my weakest spot when it comes to dancing in musicals, but anytime I've done it, I've had a lot of fun. I'm utilizing the tap floor we built in our basement to really focus on the basic moves.

Whenever I've tapped in shows, I've just been thrown in to all the complicated steps because there isn't time to slow things down and teach me the foundational stuff, so that's something I've been missing all these years. Luckily, now I have the time to spend a half hour perfecting a basic shuffle. I've even got a single time step down!

Max is teaching me most of the basic steps, but I've also been using YouTube to learn some fun combinations set to music, like in this video:

 


Learning/polishing audition monologues

I'm great at practicing a variety of songs, but when it comes to monologues, I always scramble to find and memorize one, let alone have the time to polish it before an audition rolls around. Not anymore! I got myself a fancy binder ("fancy" meaning I created a simple graphic to print out for the cover) and organized all of the monologues I want to work on, both comedic and dramatic.

I'm marking up my monologues with various notes, recording myself, and using those recordings to critique what could be better. An audition opportunity came up the other day for some short digital performances at my community theatre and rather than half-assing a barely memorized monologue, I had something prepared I could submit!

My fancy binder 💖

Practicing photography

I've learned how to take some pretty good headshots over the past few months, but now I'm focusing on other aspects of photography and digital editing. It's been a challenge, but a good one! I recently went through a fraction of my book collection to sort out old books to sell (because again, any cash I can make at home is great right now!) and focused on taking artsy pictures of them so they'd be more eye-catching to potential buyers. I think a lot of them turned out nicely!

Some examples from my book bundle photos



Practicing drawing

I am not an artist by any means when it comes to putting a pencil to a sketchpad, but it is fun to stretch a different part of my creative brain sometimes. My boyfriend is an amazing artist, so we've been video chatting while watching different how-to-draw YouTube videos together and he'll give me pointers on how to do different techniques. I'm pretty happy with how my human eye turned out the one night we watched a video about that.

Learning about a hodgepodge of topics

I made Fridays my "hodgepodge day" so I can explore a variety of interests I might not want to dedicate an entire semester to. I've done photography some days, coloring/drawing on others, and this past week I watched a bunch of different YouTube videos and crash courses about psychology fun facts. It's been a nice way to end the school week. Here's one of the videos I watched if you're interested in learning more about psychology (in this case specifically, motivation):

 


Teaching violin lessons

I've been teaching violin to a few students over Zoom these past few months, and while it was a little weird at first, it's a lot of fun now! It takes a lot of creativity to figure out how to teach a young kid how to hold their violin or put their fingers in the right places on the strings when you're not able to just physically guide their hands to the right positioning, but I'm getting it.

Exercising

I've definitely exercised way more in these six months at home than I have ever past years. It's been a lot easier to stick with my exercise goal this year though! My mom, brother, and I have been playing a lot of "Just Dance" recently, which is both fun and a hell of a workout. I sweat more doing that than I ever do with regular cardio workouts. Maybe it's because my competitive side forces me to work harder than I would if I were just jogging on my own.

What have you been doing this semester, whether or not you're currently in school? Any exciting writing projects in the works? Leave a comment!

Saturday, April 6, 2019

"FEATURING Kate I. Foley" - an Interview from Sasha at "Midnight Book Girl"

Sasha from "Midnight Book Girl" was kind enough to review my poetry collection, Instructions For Flight, on her Bookstagram a couple months ago.

Look how gorgeous this is!
Now she's just published an interview she did with me, and if you're curious to hear more about the projects I'm working on, what fictional characters I relate to, and some of the obstacles I encountered in writing/publishing Instructions For Flight, you should definitely check it out!

What projects are you working on right now? Leave a comment!

Tuesday, January 15, 2019

Do You Like Your Story Endings Open for Interpretation or Tied Up With a Bow?

I got the idea for this post from reading Shannon's post on open endings at "It Starts at Midnight." You should definitely check it out and join in the discussion!

Reading her post got me thinking: what kinds of endings do you prefer? There are so many differing opinions on how books should be wrapped up; that much is clear when perusing reviews and seeing both the one-star and five-star ends of the spectrum.

So: ambiguity or neatly wrapped up? Personally, I think there are perks to both.


Ambiguous Endings

As anyone who's read my bio on the sidebar of this blog knows, I'm a big fan of bittersweet endings. And with bittersweet endings usually comes some ambiguity. Often that mixture between holding back the tears while also feeling satisfied is because you don't know for sure what's going to happen to these characters after you close the book. Do the romantic interests end up with each other later on or not? Will the protagonist reach their goals? Is everyone going to be okay?


I feel like there’s an important distinction between open endings and ambiguous ones. In my opinion, open endings are more out of nowhere. Those resolutions almost seem like the author ran out of steam, tacked on a few paragraphs, and called it an ending so readers could decide for themselves what happened afterwards. That’s lazy. Open endings don't make me think for days after finishing a book about the characters and where they might be. They usually make me stare at a wall in annoyance or do something like this:


But I adore ambiguous endings. Those feel more artistic, where the story is somewhat resolved but not definite, so you can almost imagine the characters living their lives past the last pages of the book. In those cases, I think the author usually knows what happens next, but they don’t lay it all out for you.

I'm not sure exactly why I love ambiguous endings so much, but I know there's something strangely satisfying about the frustration of not being able to be 100% sure about where/how the characters end up. It makes my imagination run wild. I think it's more realistic for resolutions to be imperfect and unsure, which makes the books and the characters feel more real, as a result. It's also fun to take this piece of art the author has laid the groundwork for and be able to fill some of the gaps in yourself. It's not all that different from fan-fiction writers creating new stories to fill in the gaps.

I know ambiguous endings can drive some people absolutely bonkers, but if you're looking for some books that do ambiguity well, I recommend checking out:

Eleanor & Park by Rainbow Rowell
Sadie by Courtney Summers
Long Way Down by Jason Reynolds

Tied Up with a Bow

As much as I love leaving stuff up for interpretation, there's something to be said for endings that are neatly resolved. There is an entirely different kind of satisfaction when it comes to closing a book with a happy sigh, knowing exactly what happened to those characters and that everything is going to be Just Fine.


With most longer fantasy series (or other genres, like sci-fi and dystopian), I don't think I'd be content with an air of mystery after finishing the last book. When I've invested that much time in a cast of characters, you bet I want a detailed epilogue telling me that everyone's going to be okay. That's not to say every character has to be perfectly safe, happy, and alive, but there should be a healthy dose of hope along with the inevitable grieving of characters lost during an epic series.

I'm a big fan of the Harry Potter and the Deathly Hallows epilogue, because after seven books (especially after making it through the behemoth that is Order of the Phoenix), I wanted a glimpse into Harry, Ron, and Hermione's futures. I don't need entire spin-off series necessarily, but at least a few pages to reward dedicated readers for seeing a journey through to the end.

Also, with rom-coms, I need a Happily Ever After. I don't need this with every romance (see my reference to Eleanor & Park and its ambiguous ending above), specifically just rom-coms. The kind of fluffy contemporaries that you read with a cup of hot chocolate or on a sunny beach. There may be a small difference, but that kind of distinction matters to me when it comes to how to wrap-up a love story. Becky Albertalli's rom-com endings, for example, give me all the warm fuzzies.


And, as with any kind of writing, HEAs or other detailed endings can be done poorly. Execution is everything. If the author tries to fit in the resolutions of every single minor character, the ending is going to feel forced and trite. Not everything has to be perfectly spelled out, otherwise it'll feel dumbed down.

Other than Harry Potter and Becky Albertalli books, I think stories that have had good, satisfying endings in this vein are:

The Lunar Chronicles by Marissa Meyer
The Mortal Instruments by Cassandra Clare
Six of Crows by Leigh Bardugo

Let's Talk!

What kind of ending do you prefer? Do you like both for different reasons or are you adamantly opposed to one? Leave a comment with your thoughts below!

Wednesday, October 24, 2018

Yet Another Writing Tag That I Stole

Cait from "Paper Fury" gave permission for other bloggers to steal these questions, seeing as they were originally stolen from @rebeccarmix. We bloggers are nothing if not thieves. 

Me as a sneaky, sneaky thief.
What are your favorite kinds of scenes to write? Why?

-Witty dialogue:

I love writing dialogue, so much so, I really should be writing way more screenplays than I do. This can be my downfall, though, because come editing time, I have to deal with three straight pages of dialogue where my characters are floating around in space. I probably knew where they were and what they were doing when I wrote the scene, but heck if I know that now.

-Characters sitting around, doing absolutely nothing except being themselves:

Another fun, but potentially problematic scene. I jump at any chance I get for characters to just sit around and let their personalities shine through as they talk about some TV show or bicker with each other. This usually means I end up cutting 10% of the book later because these scenes do nothing to move the plot forward.

-Super dramatic, "all is lost" situations:

Now these are fun and helpful, especially in my high-stakes fantasy novels. I love a little drama now and then, and the darker it is, the better. These are the scenes I can imagine as movie moments.

-Melodramatic prose:


Again, 90% of this stuff gets edited out later, but it's still fun to write, because when I get going, I really get going. I find this great flow that allows me to write a ton of words, which is what I need, during a first draft.

We’re all our own worst critics—so, what about your writing are you genuinely proud of? Don’t hold back.

-Dialogue:

Again, it's something I love to write, and it's something I think I'm actually good at. This is probably the one and only aspect of my writing I've never had to work at getting better, because it came so naturally. Everything else is still kind of a mess, but I love my dialogue. My characters always have distinct voices and talk like real people would. I think part of why it's good is not only because I read a lot, but also because I watch a lot of TV.

-Writing characters I'd want to hang out with in real life:

I have to like my characters to feel invested in them, and that usually means I end up writing characters I wish I could be friends with. These are my favorite people to read about in other books, so I'm hoping that's a good sign about mine.

-The tight bond of friendship between characters:


I love gangs of friends who stick together to either save the world, put on a school play, carry out some heist, or any other grand plan. It's a fun dynamic to play with, because those kinds of friends would do anything for each other, but they also tease the others incessantly. My characters always have close friends who make regular appearances throughout the book and have great chemistry with each other.

What do you love about writing? What excites you? What makes all of this nightmare struggle worth it?

-Getting ideas for new projects:


The "ooh, shiny!" moment is arguably the most exciting stage of any project. It's brand new, so you aren't sick of it yet, and it's full of possibilities, so you aren't stuck yet. Getting bored with the project or not knowing what to do with it will come later, but the initial idea is always tons of fun to play with.

-Finishing a project:

There's nothing more satisfying than typing the final words of a first draft. It's a weird, bittersweet feeling, but after weeks of pushing through the tricky middle sections, it's so rewarding to finally get it done.

-Creating Pinterest boards/playlists:

This usually goes along with the brand new idea for a novel. One way I like to flesh out the tone of the story is to create a soundtrack for it and start messing around on Pinterest. It may not help with plotting much, but it keeps me excited.

-Getting feedback from critique partners that I made them laugh/squee/cry:

I love fangirling about other people's projects, so having someone fangirl over mine is beyond cool. I may not have a YA novel out in the world yet, but the few people who have read my writing and gushed about me make me feel like a real author.

What’s something you’re not as strong in that you’d like to improve?

-Fight scenes:

Dear God, how does any writer survive writing a fight scene??? If you actually enjoy them, please, tell me your ways. Describing any kind of scuffle for more than a paragraph has me wanting to rip my own limbs off, and yet, I have to do it because that's what happens in a high-stakes fantasy novel. They're just so boring, even though they're supposed to be exciting.

-Worldbuilding:

I like the idea of worldbuilding, but actually creating new worlds is really, really hard. Who can keep track of those many rules?? Not me, that's for sure. I'm already confused enough about the details of certain things in my contemporary novels. But I love magic and mythical creatures and paranormal stuff, so worldbuilding is a must.

-Plots where things actually HAPPEN:


This is usually my downfall in contemporary novels. I'm too eager to let my characters just talk to each other and not really do anything, even though I'm supposed to be raising the stakes and escalating the tension. Fantasy is a little easier for me to make "exciting," in some ways, because I can have a lot more magic and bloodshed.

-Grounding my characters in a clear setting:

This kind of goes along with worldbuilding. Since I love dialogue so much, I tend to neglect physical descriptions of things, including the setting. It'll maybe get a sentence or two, but that's about it. Oops.

We talk a lot about “big” writing dreams (movies! shows! bestseller list!) but do you have a smaller, quieter dream for you and your work? What is it?

-Someone creating fan-fiction or fanart from one of my novels:


Again, someone fangirling over my work is the best.

-Authors I love reading my books and/or talking about them:

I would flip if Becky Albertalli or Rainbow Rowell or Marissa Meyer tweeted about my book or did a blurb for one (or J.K. Rowling, but that's a bit lofty of a dream).

-Seeing my book on display at a bookstore/library:

Enough said.

-Being a part of book conferences/event and meeting some of my favorite authors:

I love going to author panels, signings, classes, etc., so getting to be a part of one with other writers I respect? That would be amazing. Even if a little public speaking was involved, I could get past that to sit at a table with my favorite authors.

Are there things that pop up in your writing over and over again whether you like it or not? What are they?

-References to whatever current TV show or musical I'm obsessed with at that moment:

I can always tell around what time I wrote a certain scene because the characters will bingewatch "Sherlock" and I can go, "Ah, yes, that was a 2014 novel." It's kind of fun to find these when I go back to older projects. It's like a mini time capsule.

-Characters who are such close friends, all of my critique partners assume they're actually harboring secret crushes for the other, when in fact, they are not:


This happens more often than you'd think. I can repeat the "they're just friends" mantra until I'm blue in the face, but my entire critique group will stare back at me with amused smiles and say, "no they're not," despite the fact that I'm the author of the story.

-Certain names I use and reuse throughout different books without realizing it:

I have multiple characters named Izzy, Charlie, and Liam, off the top of my head, most from abandoned projects. I'm not sure how it happens, but it does.

What are some tropes that you unapologetically adore writing? What are ones you never write because you can’t stand them?

Tropes I love:

-Slow burn romances
-Friends-to-lovers
-Hate-to-love
-Apparently just romances of all kinds
-The Strong Female Character TM (so long as she has flaws and isn't emotionless)
-Dysfunctional families
-The protagonist sacrificing themselves at the climax of the book
-Villains with whom you can empathize


Tropes I hate:

-Love triangles (I write "fake" love triangles instead: two characters like each other, but one is convinced that someone else is actually the recipient of the crush)
-Tough guys with no feelings
-Prologues
-Love at first sight
-"I let out a breath I didn't realize I was holding."
-The heroine doesn't realize her own beauty

If you could hop in a time machine and give baby-writer you one piece of advice, what would it be?

Honestly, I feel like I'm still waiting for grown-up-writer-me to come give baby-writer-me advice. But I guess the advice I probably needed to hear a little earlier was that projects aren't birthed magically perfect. They take a ton of time and lots of editing. I didn't realize how much of writing was rewriting until the past few years.


What’s the last book/last books you read that made you go "HOLY SHIT that’s some good writing!!"?

-Tell the Wolves I'm Home by Carol Rifka Brunt
-The Miseducation of Cameron Post by Emily M. Danforth
-A Thousand Perfect Notes by C.G. Drews
-Long Way Down by Jason Reynolds
-Far From the Tree by Robin Benway

Do you have a book out? A book you’re working on? Tell me about it!

In typical Kate fashion, I am working on entirely too many projects at once, so I'll give you little snapshots into each of them.

Currently plotting:

-A fairytale comedy based on a Pinterest prompt I saw a while ago. A woman promises two witches separately her firstborn, so the witches share joint custody and go from loathing each other and the different parenting styles to eventually falling in love. One witch is your typical Glinda "good witch" while the other is a "wicked witch" (both with a twist, obviously).

-This one is also based on a prompt I saw (maybe on Twitter?). "Mamma Mia," except a young daughter learns her mom sold her soul to one of three demon lords and needs to find out which one she has to kill to get it back. I'm still trying to decide if I want to make this a full on lighthearted comedy, or something darker and more sarcastic.

-Captain Darling. My NaNoWriMo novel about Mrs. Darling following her children into Neverland and descending into villainy as she becomes the terrible Captain Hook.

Currently writing:

-Captain Zahira and Her Wayward Crew. I say I'm writing this, but really, it's been sitting unfinished in my documents for months. I'll go back to it eventually, but I've got too many projects to edit at the moment to continue with this one. This was, yet again, based on a prompt I saw. A pirate captain is cursed to die within the year unless she gives her heart freely to another, but instead of searching for romance, she decides to spend her last year gallivanting with her ragtag crew, who all try to secretly set her up with different people along the way.

Currently rewriting:

-'Til the Last Star Dies (probably to be renamed Angel of the Underworld). An immortal witch falls in love with a mortal witch hunter. It has everything: revenge, a magical emerald that has the power to unleash an undead army, friends turned evil, witches and demons, morally gray characters, and more.

-Ms. Holmes. A completely genderbent, steampunk Sherlock Holmes story with time travel. I wrote it when I was fourteen, so it's a mess, hence why I've been procrastinating the rewrite. But I still think it has a solid basic structure of what it needs to be, so I just need to figure out how to fix the plot.

-All the World's Afraid (which is a terrible title that doesn't apply to the story anymore because I reworked the plot). I finished the first draft last week and now I'm going at it with a red pen. The two teen girls playing Cosette and Eponine in their school musical fall in love over the course of the production, but both are convinced that the other could never like them back for various reasons. Lots of misunderstandings occur throughout the book, as well as a touch of paranormal happenings since the actress playing Cosette is convinced the actress playing Eponine accidentally cursed their theater by saying "Macbeth" during a rehearsal. It is yet to be determined whether that is true or not.



Currently querying:

-Beneath the Moon and Stars. My YA contemporary romance between an aspiring musician living in a poor, abusive household and an aspiring painter living in a rich household with his severely dysfunctional family. It's a simple story, but it still has my heart, even though I'm pretty sure I have to give up querying it for now since I'm at thirty rejections now. Maybe it'll find a home sometime in the future.

Tag, you're it! Continue the trail of stolen tags by answering the questions on your own blog or in the comments. What are some of your favorite tropes? What keeps showing up in your writing, whether you like it or not?

Thursday, August 31, 2017

One Camp, Two Camps, Red Camp, Blue Camp

(This post features my sad attempt at a creative blog post title.)

This summer totally flew by, for a number of reasons, but part of why it was so busy was because I went to three different camps! Two writing camps and one non-writing camp. All of them were so cool in totally different ways, so I'm going to do what I do best when I'm excited about something and RAMBLE about them. I might even share some writing from the camps. Who knows? You'll have to read to find out.

Camp #1: Camp ArtWorks - Elizabethtown College

I had no clue what to expect with this camp since it was my first time going, and it looked like the camp was pretty new, but once I saw Daina Savage was teaching there, I knew I had to go. I had her as a teacher years ago at the Linden Hall writing day camp and loved her. It was so nice to see her again! I was surprised she actually recognized me after all these years, but from day one, she knew exactly who I was.

This was also my first time going away to a camp and not knowing who my roommate would be, so I was a little nervous, but she turned out to be great! We got along really well. And we were both night owls, so it worked out fabulously.

My roommate and me.
It was a really small camp, so everyone got to know each other. We all ate meals together, hung out and played games like Mafia and Truth or Dare during free times, and had impromptu open mic nights. Our RAs were so cool. We adopted them as our mom, dad, aunt, and uncle for the week. It was tons of fun hanging out with them and they loved to read and critique our writing.

Our dorm family.
The classes were all really diverse. We got a taste for flash-fiction, short stories, poetry, lyrical essays, and scripts, all in one day. Everyone liked some teachers better than others, but it was definitely the best camp I've been to in terms of how many different genres I got to try out. Some camps I'll write two or three pieces that I workshop like crazy until it's just right, but with this camp, I got to just generate a ton of work. Lots of it was garbage, but that's to be expected when you're trying to write twelve different pieces in a day.


Some extremely short flash-fiction I wrote when we were challenged to write stories in 25 words or less. Hopefully you can make out the text.

One of my favorite parts was writing a script together with my roommate. There was forty-five minutes between class and lunch, so we locked ourselves in our room and worked on it. We ended up having so much fun with it, we almost missed lunch. Our "dorm mom" had to knock on our door and make sure we knew what time it was.

All in all, it was a really great week.


Camp #2: Young Writers Workshop - Messiah College

This camp has always been my favorite. I look forward to it every summer, and this year was no different. I signed up to be roommates with two girls I'd met at that camp in past years (Sam and Dana), so we shared a triple together and had a blast. Of course, we didn't get any sleep with all of us hanging out in the same room together, but that was fine by me.The Messiah workshop usually has so many students, they completely fill three separate classes, but this year was tiny. We had maybe 20 kids. But this really gave me the chance to get to know students who had been there every year, but I'd never gotten to talk to.

Our epic squad.

My class had a great teacher who used some really meditative exercises each day to help us stretch our writing muscles and write in different genres or styles we may not always gravitate to on our own. She helped us form smaller critique groups within the class, and everyone was super supportive of each other. We felt like a little family, quirks and all. I wrote a lot of poetry this year, and I'm pretty proud of how it turned out.

A short love poem inspired by Luneville, the best headcanon ship to have ever come out of Harry Potter.
And, of course, the famous (or dare I say "infamous?") talent show. After Sam, Dana, and I did a hilarious and completely uncoordinated lip sync to "Farmer Refuted" last year, we'd become a sort of camp legend. The RAs made sure we were the ones to close the show this year, and boy, was it a hit. We did another lip sync, this time to "Gaston." We even got a new girl we'd made friends with that week to be part of it. It was tons of fun and we ended up winning first prize in the "Miscellaneous" category.


Camp #3: St. John's Summer Academy - St. John's

This camp was the one I was most nervous about, mostly because I wasn't sure what to expect from the campers. I had no clue what kind of people would be there and worried I wouldn't be "intellectual" enough to really find my people. It turned out to be okay! Most everyone there was really nice, even if they weren't the geeky/fangirly campers I was used to from my other camps.



The classes were cool. I loved the discussion style (for the most part), especially since the readings I had to read ahead of time were a mixed bag. Some of them I really enjoyed and totally understood (like most of the short stories, "Twelfth Night," and Pride and Prejudice), but others I was really confused by (like the science text and some of the essays) and needed to talk to the other teens and tutors in order to figure out what I'd read. The seminar style was a little tricky to navigate since sometimes it was hard to find a way into the discussion. One girl who was in all of my classes had a habit of monopolizing the conversation and never liked to admit she could be wrong, but she was quickly shut down by the other students as the week went on and everyone grew tired of her.

Annapolis is so cute and fun! It felt like a beach town without the beach. The girls on my floor in the dorms made daily excursions to get food, ice cream, visit shops, and go to old bookstores. In fact, we went out for ice cream so many times, we had debates on which shops had the best flavors and prices.


More daily activities were the workshops the various RAs hosted. We had a huge list of extracurriculars we could choose from (like poetry, flash philosophy, and fencing, all of which I tried), so I ended up going to theatre any time it was an option, which ended up being a good choice, not only because it was fun, but because I got to be a part of a talent show performance.

My RA ran the theatre workshop, so she worked with a couple classmates and me to put on the sleepwalking scene from "Macbeth" with a bunch of really cool choreography. There were three of us who played Lady Macbeth, and two other classmates who jumped in last minute to play the doctor and the gentlewoman. The video is dark, but you can still see the choreography pretty well. I'm the one on the very right in the red dress.



But everyone's favorite part was the swing dancing party. Each day, there were two groups of campers who alternated between playing croquet and taking swing dancing lessons. These lessons built on one another in order for us to be prepared for the swing party at the end of the week. It lasted several hours and our feet ached by the end of it, but nobody cared, because we were too busy dancing the whole time to notice. It was the perfect way to end the camp.


What was your favorite summer camp or camp activity you participated in? Leave a comment!

Monday, August 21, 2017

Eclipse

In celebration of today's eclipse (which was super cool, by the way--so much fun to go out with my family to see about 80% of the sun covered), I thought I'd share an old short story of mine, literally titled Eclipse. What better timing than now to post it? It's about the sun and moon falling in love. The story won a Scholastic silver key last year in the science fiction & fantasy category. Enjoy! :)


Eclipse

          Once there was a painter. An artist so whimsical and filled to the brim with raw talent, she could spread her arms wide to welcome the world and paint stars across the universe. The night was her canvas, a silky black that unfolded from the dying light of the brilliant orb that shone as she slept.
          But as the lazy summer faded into crisp cold and the painter grew restless, something caught her eye. It was the same blaze that burned on day after day, sinking deep into the array of twinkling lights the painter had displayed that night. Puzzled, she took a closer look as the golden rays slipped into slumber.
          Hello? The painter called out, reaching with swirls of silver, sweeping the brush across the miles for the dazzling orb to see.
          Is someone there? Came the response, and the painter gasped at the voice, so beautiful, harmonious, that it sent chills through her. A song worthy of a siren, she enchanted the artist.
          Who are you? The painter inquired, her words twisting in confusion.
          Even with the vast distance between them, she could see the singer's smile. It lit up her every feature, flaring for the briefest of seconds before fading again.
          I am the bringer of light, the one who sings of days and wonder.
          The painter stared for a good long time, watching as the singer continued to dim and slip away. She couldn't tell if the growing gap was due to the singer's fall or her own rise.
          But what shall I call you? The painter finally spoke, stretching even further now for her words to carry to a place where the singer can see.
          The beings below call me 'sun,' but out here in the quiet you may use the name Clara.
          Clara, the painter tested the word, watching as the letters flowed and curled together, and feeling her own lips tug into a smile. She liked the way the sun's name looked before her.
          And what may I call you, queen of the night?
          This surprised the painter. Never before had she even considered the concept of a name for herself. I don't know, she replied. The beings below are fast asleep by the time I stretch my limbs. I'm not even sure what they name me.
          They speak of 'moon,'  Clara hummed, her words soft and sleepy, a lullaby. But you are not confined to the choices of others. You are allowed to forge your own path.
          So the painter pondered, hesitantly brushed the wide range of silvers and blues and the other colors of sleep on her canvas until she found a collection of whimsical letters she liked.
          Lunette, the painter said. That is my name.
          Well, Lunette, I will bid you goodnight for now. Clara's voice broke on a yawn, the once seamlessly connected notes shattering as the night stole her from Lunette, before she could even lift her brush for just one more word.
          Lunette was restless as the night stretched on. Clara spoke about the beings as if they were lively creatures, which they were, the painter supposed, once the singer rose high into the sky for another day. But now in the quiet of the black and silver, the canvas acted as a warm blanket, a protection against the cold. No one stirred. The painter brought wild, mesmerizing dreams to all she could reach in the hours she surveyed the earth below. But once the first sliver of light was visible, Lunette caught the eye of her fellow artist, so similar yet so far away.
          Clara! She shouted into the early morning, desperately trying to cling to the sky, to share it with her newfound friend. But the universe was already dragging her down, her tight grip slipping as only her fingertips hung from the blood red of dawn. Clara, wait!
          The singer looked down at the painter, features brightening even more when she saw her, the red of the sky softening to a delicate pink. Good morning, Lunette.
          Lunette's eyes were slipping closed, blinking blearily at the sun. Her shimmer on the verge of blinding now. But artists are a determined bunch, and she was no different. She managed to muster up the energy for a few more lazy scribbles, barely legible enough for Clara to read. Why must you wake when I'm so tired?
          It is the way of the world, night bringer. It is how it's always been.
          But I don't like it! Lunette protested, her words worthy of a petulant five-year-old's angry crayon drawing. She fought sleep like it was her attacker rather than her savior giving her a gift. I want to hear you sing. I only catch snatches. And the nights are so long and lonely now. Why is that? They used to be short.
          Clara's smile was small, the words of her song stretched out in long, haunting notes. It made Lunette sad even before the meaning of the lyrics registered in her foggy mind. Just the sound of it, so clear and bittersweet, made her want to cry. I'm dying, sweet painter. Soon my song must end, and quiet will fall again as winter's white blanket settles around the earth.
          It took Lunette an age to trace what she was aching to say, feeling heavier than ever, and pained. You can't die. It's not right.
          I can, and I will. But summer will come again and I will stretch and unfurl and fill the sky with joyous sounds.
          Exactly! Your singing is so beautiful. How will the world survive without it?
          Not all art will be lost, Clara insisted, her voice like a comforting hug, wrapping around Lunette to keep her warm and safe. They will have you.
          Me? Lunette scoffed, the bitter edge to her words stretching out in smoky tendrils. You bring warmth and happiness. With me comes the dark and cold. The beings below don't even open their eyes to look upon the paintings I so carefully create. Few each moonrise glance up. What do I bring?
           Rest. Clara's lyrics were both an answer and a command, her voice still in that lullaby-like quality. Peace and comfort. The beings below can't truly appreciate either of our masterpieces without the sleep you bring.
          Our masterpieces? Lunette wasn't sure if she'd heard the singer right. I'm not sure anyone looks at mine.
          Do you not see the ones peeking from behind their curtains? They're quiet, but they are there. The stargazers, the dreamers, they all look with wide-eyed wonder as you unfold your inky canvas dotted with light. Then, after a beat's hesitation, Clara flickered. The painter recognized it as a bashful action, voice even quieter now. I look.
          The heaviness became more manageable now, lighter and easier for Lunette to widen her eyes in surprise. You do?
          Yes. Each sunset, each sunrise. Glimpses of it, but all the same, they leave me in awe. So delicate, so beautiful. They are truly amazing, Lunette. You should be proud to possess such a noble ability.
          And Lunette fell into the deep blue, calmer than ever before, her dreams sweet and crystalline.
          Each day and night, dawn and dusk, the painter and the singer exchanged brief words before one of them lost their hold on the waking world. And inevitably, once the painter had put the finishing touches on her work of art, she was left alone again. But it was worth the loneliness just to make Clara smile when she woke.
          Do you ever find that you have no more ideas? Nothing more to create? Clara asked one crisp morning.
          Lunette smirked. Once in a blue moon.
          Her laugh tinkled like wind chimes, filling Lunette with more warmth and life than she'd ever felt before. But the singer's voice was tired, hoarse from use.
          How much time do you have left? Lunette whispered into the sunrise.
          Days. The solstice is upon us.
          And what will happen when it comes?
          I will burn one last time, for the final song, before stepping out of the spotlight. And then you, my glowing angel, will bring the world an unsung harmony.
          But you will return?
          Yes.
          When?
          In the morning, like any other day.
          Lunette was perplexed by this. But if you will return like any other day, how come you say that you're dying?
          Clara smiled again, but Lunette found that she did not like the way this smile looked upon her golden face. It did not light up her features, but rather make them look grayer, sadder. This smile was used to mask pain. There is a reason they call it morning, Lunette.
          And why is that?
          The song I sing the following dawn is one sung at a funeral. I will return a different person, a different sun. Clara will die, and from the ashes, like a phoenix, another will rise.
          No! Lunette shouted, striking her paintbrush through the canvas as she slipped away from the singer. I won't allow it! You have to fight!
          I will not fight. It is inevitable.
          Then what of me? Why is it that I must live to watch you die?
          Lunette, Clara whispered, reaching out with her warm touch, though her gentle fingers never reached Lunette's face. The moon and sun, painter and singer, were just close enough to see and speak but too far away to touch. It made Lunette feel as if she were a palette only of gray. There is more than one solstice.
          What do you mean?
          Summer is the time when I shine brightest.
          I don't understand.
          The moon was shocked and saddened to see a tear drip down the singer's cheeks, glowing like embers now, a fire long gone. I watched you rise that night. I saw the first painting you ever created, the most wondrous display of stars the world has ever seen.
          Why didn't we speak then? How come we only know each other now?
          Sometimes you just need to see someone in the right light, Clara explained, brushing her hand against a stray star fighting its hardest not to be washed away. The painting you brushed onto the canvas that night for whatever reason caused you to notice my song.
          Lunette hadn't realized she was crying until now, when she felt an unfamiliar heat drip onto her hand still clutching the brush. There were tears all down her face. With a shaking grip, she delicately dipped into the most brilliant silver she had to paint the only thing she felt mattered. All of her work, all of the stars, every constellation that ever was and ever would be, would never compare to what she had to say now.
          I love you.
          The last thing Lunette saw was another tear slide from Clara's eye onto the canvas, the star melting away into nothingness.
          The singer's songs were always sad now, muffled by the clouds that accompanied her, barely a soul glancing up to see why the world had gone so quiet.
          Even Lunette's paintings looked more like haphazard doodles now, hurriedly drawn as if on a deadline she'd forgotten about. The zest she'd once had for it, the inspiration, was gone, lying in shattered remains along with her heart.
          You can't leave me, Lunette sobbed with trembling, jagged lines the night before the winter solstice.
          I have to. Clara's voice cracked on the last word, shaking almost as much as Lunette's hands were in an effort to keep herself together. You will find a way to carry on. You are so strong, Lunette.
          Not strong enough.
          You will be.
          I love you.
          I know.
          I thought love was supposed to be enough to get us through anything. All the songs you sing speak of it.
          Sometimes songs lie, Clara murmured, and her glow was so faded now, she was able to pluck one of the stars from the sky as easily as one might pull a berry from a bush, and cradle it in her arms like a newborn baby. And sometimes endings are not happily ever after.
          But how am I supposed to go on without you when you were my once upon a time?
          As you always do. You will paint.
          And so the sun slept for one more night. Lunette cried. Her tears were cold in the hush of winter's dusk, and she watched them float down into the earth, turned into snow. Something so beautiful should not be allowed when someone is so sad, Lunette thought. But that was the way it was, and so snow it did.
          Clara could not seem to bring herself to sing louder than a whisper on the dawn of the solstice. Her voice itself was sweet, but the words tragic, if anyone else bothered to listen. Lunette listened for as long as she could. If these were to be the sun's last moments, the moon would be her companion.
          But even the painter was not strong enough to resist sleep itself, and she rested for just a few hours before opening her eyes to the cold, cruel world. Clara was already beginning to slip.
          Don't go, Lunette begged her as she reached as close as she could, even though she knew it was pointless.
          I must. Clara's voice, once so gorgeous, was barely audible now.
          Lunette pushed, the ache in her broken heart propelling her nearer, wanting, needing to hold the one she loved before she was gone forever.
          Kind moon, Clara said, eyes only half open, her fire all but extinguished. Do not waste your energy on what you can't change. Channel those emotions into the most amazing painting the world will ever see. Do it for me.
          Though Lunette's tears still fell into snow, and her hands still trembled like earthquakes, and her paint was mostly untouched, she did not stop reaching. She would not stop reaching. And with a final shout of determination, an emphatic swish of silver against the navy blue canvas, Lunette surged forward. And she was in the arms of the one she loved most of all.
          The painter was too stunned to say anything. But the singer, always the crafter of words, smiled, sharing the warmth she had left with her beloved.
          You made it, she hummed.
          I had to, Lunette said. But how--
          They call it an eclipse. Clara gazed upon the earth, the beings below, bathed in pure white snow and shadow. It only happens when the sun and moon share a connection so strong, the laws of the universe itself can't keep the two apart.
          An eclipse, Lunette echoed, and she strung the words high above their heads for all to see, a silvery strand of loving cursive.
          Yes.
          And when the painter found herself using all of her strength to support the singer in her arms, trying to hold her, keep her in the sky for just a bit longer, she knew what she had to do.
          Rest, Clara, Lunette brushed the words with care across the sun's closed eyelids, snow falling harder than ever. I will paint you the most beautiful bed of stars anyone has ever seen.
          I do not doubt it. Clara pressed her cooling lips to Lunette's, holding her in one last embrace. Goodnight, Lunette. I love you.
          May the stars welcome you home.
          And Lunette let her go.
          That night, Lunette unfolded a fresh canvas, one of the deepest blues so dark, it appeared almost black. But with her set of paints at her side, the moon created a world of light from the darkness, one that caused all the beings below to gaze up and gasp in awe. It was by far her best masterpiece yet, one the suns who followed Clara's footsteps would sing about for ages.
          And just as promised, beauty rose from the ashes. Sleep beckoned Lunette closer, but she resisted. Not in the bursts of indignant energy she often used to avoid the rest, but a soft, pleading, Just a few minutes more.
          The new sun rose, bright and bold and beautiful, a different kind of glorious blaze than Clara's, but a dazzling one all the same.
          Hello? She called out, in a voice high-pitched and scared, but one filled with music just like the previous singer's. Is anyone there? Where am I?
          Hello, Lunette softly brushed in front of the new sun, rapidly rising into the dawn.
          There was a long pause, then she sang, Sun. Yes, the beings below call me sun. But who are you?
          I am the bringer of rest. I paint peace and harmony across the night sky. The beings below call me moon. Lunette hesitated for a moment, trying to recall what Clara had told her one night, that piece of wisdom the painter thought this new singer would need more than ever now. But you are not confined to the choices of others. You are allowed to forge your own path. My name is Lunette.
          You mean I'm allowed to pick my own name?
          You are allowed to do whatever you please.
          Just when Lunette thought that sleep would claim her at last, she heard a soft, tinkling voice chime, Aurora. My name is Aurora.

Did you watch the eclipse? How much of it did you see? Leave a comment!